A fantastic piece indeed. Slavery was never abolished, it was modernized, with everyone helping along the way. The piece could be the basis for anyone interested in making a film or writing a play. In this day and age, it seems, only art (theatre in this case) could render not just the actual facts as described by Tajudeen, but also the thinking, the emotions going on in the heads of those who traveled on that famous plane (it would be good to actually have the flight number, departure and destination). As scholars (historians in particular), we are trained to only look for facts in archives, or on any palpable concrete evidence, but what about the archives of our collective mind, emotions which are supposed to be off limits, and yet, have survived for generations.

The screams, the crying, the protest of the person on that plane sounded to me like echoes of those who were kidnapped centuries ago, in their fields, on their way to a funeral, to a wedding, or simply resting at home after a hard day's work. Back then, mercenaries appeared out of nowhere in search of slaves. There are no archives I know of where the screams, the pain, the suffering have been registered so that we can prove that, indeed long before the Holocaust, other genocides took place and create the conditions for the unthinkable to happen to people to whom such treatment was not supposed to happen.

Why should one not be outraged, "emotional" at such barbarity? Is it not because we have not been sufficiently outraged collectively that such acts continue? Is it not because one rationalizes one's silence that things which were supposed to have been abolished long ago continue to happen under a different name?

Taj, thank you for bringing to the surface one little illustration of what took place centuries before and continues today unabated. On the image of the slave ship mentioned toward the end of your piece, I would suggest the following: why not have our billionaires who might still have a bit of conscience, get about a dozen or so (or more) slave ships built exactly as they were when the slave trade was in full swing, and have a sample moored at all the ports (of departure and destination) so that, at least visually, all those who do want to see the instruments of killing the person and making a slave can be seen. However painful such replicas might be, at least they would have the shocking value that Maidanek, Auschwitz, Hiroshima, etc. continue to carry today.