In his new book Ending Aid Dependence, Yash Tandon reviews the possibilities for change in the architecture of aid. The author explores the extent to which many developing countries reliant on aid wish to escape dependence, and yet are constrained from doing so. Proposing that moving away from dependence should be at the top of the political agenda of all developing countries, this timely book cautions countries of the global South from falling into the aid trap and endorsing the collective colonialism of the OECD.
Dorothy-Grace Guerrero and Firoze Manji (ed) (2008) China’s New Role in Africa and the South: A search for a new perspective. 
African Writers’ Corner
Offering
Shailja Patel (2008-03-01)
http://pambazuka.org/en/category/African_Writers/46509
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you wake in the night
lips shaped
around a word that has not
yet
arrived
you close your eyes
wait
for it to grow into a poem
a poem that might breathe itself
into heat, form
into a body merged with yours
and if you entered that body
with every sense
ferocious, tender
nothing witheld
it would become a doorway
you could walk through
clear-eyed
find your country
see it truly
for the first time
and if you stood
in the sticky churning
red mud of your country
naked to the wind
the carrion
refused to shut
your eyes refused
to shut
your eyes
the word would arrive
cymbal in your mouth
sing history
back onto itself, sing tearing
whole again, sing altered
tally sheets clean, blood
back into bodies, blades
back to the forge
sing women
unviolated, infernos
downward to soil, crops
greenly skyward, sing it all
back to the beginning
in a language
none of us
has ever heard
have you ever woken
in the night? Reached
for the body beside you
as if its living warmth
could teach your hands
a new language?
in the dark
it is your own bare skin
the holy innocence of belly
unslashed
the fearless softness of breast
unraped
that whispers back to you
beloved
history is a million terrors
tides that have engulfed your country
you were never going to arrive
in time
it began before you
will not suck itself
back through the doorway
of your longing
and a doorway
is not a body
to wrap you
in the night
a body
is not a poem
that will teach
the language you yearn for
the poem you seek
will never
fit
grape-round, grape-sweet
into the shape your mouth makes
when you wake in the night
lips open, crying
for all we once believed
we knew
all we once imagined
our struggles had made safe
crying
for all those
choked, drowned
in the quicksands of history
the history we did not arrive
in time to drain
beloved
what remains
blossoms out of the skin
of your belly
nudges into your palm
on your breast
a pulse you fit words to
one by one
breathe
see
choose
truth
work
love
you will wake with your fingers
wrapped around them
breathe see choose
wake with them salty
under your tongue
truth work love
they hold your right of return
to the country of childhood
they map where you will stand
in the scorched erupting soil
breathe see choose
they are your passport
to morning
*COPYRIGHT SHAILJA PATEL, 2008, ALL RIGHTS RESERVED
**Kenyan poet, playwright, theatre artist, Shailja Patel, is a member of Kenyans for Peace With Truth and Justice. Visit her at www.shailja.com
**Please send comments to editor@pambazuka.org or comment online at www.pambazuka.org
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